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INFORMATION PROVIDED BY THE
MEXICAN CULTURAL INSTITUTE OF NEW YORK
New
York premiere: Labyrinths of Memory
Wednesday, January 23 at 1:30 & 6 PM
The Jewish Museum and the Film Society of Lincoln
Center present
The New York Jewish Film Festival
January 9 - 24, 2008
A total of 32 shorts, dramas, and documentaries from
Germany, Hungary, France, Argentina, Russia, the US,
Mexico, Canada, Israel, the United Kingdom, and
Austria add up to an exhilarating worldwide journey.
To mark the 60th anniversary of the founding of the
State of Israel, this year’s festival showcases ten
new Israeli films. A festival-within-the-festival
presents four masterpieces by the late Austrian
stage, television,
And film director Axel Corti.
Labyrinths of Memory is this year's Mexican film by
director Guita Schyfter.
(Mexico, 2007, 95 min., Spanish with English
subtitles)
NY PREMIERE
This documentary draws parallels between two very
different women united by a search for identity:
Maite Guiteras, Mexican born, adopted at birth, and
raised in Cuba; and the film’s director, born in
Costa Rica to East European Jewish parents and
raised in Mexico. Each defies ethnic and geographic
boundaries to travel to her ancestral home to claim
a place in the world.
Director Guita Schyfter in attendance.
WEDNESDAY, JANUARY 23, 1:30 PM
WEDNESDAY, JANUARY 23, 6:00 PM
Screenings, unless otherwise noted, are at:
The Walter Reade Theater at Lincoln Center
165 West 65 Street
between Broadway and Amsterdam Avenue, upper level.
Due to construction at Lincoln Center, please walk
west on 65th Street for Walter Reade Theater access.
www.thejewishmuseum.org
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Torrijos: The Man and the Myth
January 31- May 5, 2008
Opening Reception: Wednesday, January 30 at
7 PM
Torrijos: The Man and the Myth
Guest Curator: Nan Richardson
Opening Reception: Thursday, January 30,
7:00 p.m.
Gallery Hours: Wednesday - Saturday, 12:00
p.m. - 6:00 p.m.
Torrijos: The Man and the
Myth is a unique exhibition of
never-before-published photographs of former
Panamanian leader Omar Torrijos by Graciela
Iturbide, one of Mexico's most celebrated
photographers. Omar Torrijos was Panama's
most famous leader (from 1968 to 1981) and
is one of the best-known twentieth century
figures throughout Latin America. |
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Graciela Iturbide, General Torrijos
on on of his visits to the
countryside in Panama, 1975. |
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The exhibition is not only an
homage to Omar Torrijos, it is also the
documentation of a period of social change in
Panama. Graciela Iturbide photographs a rural Panama
and captures indigenous people in small villages
across the land. At times we see the clash between
urban and rural life, indigenous and modern life, as
Iturbide moved alongside General Torrijos from
community to community.
Torrijos: The Man and the Myth will be accompanied
by a bilingual publication by Umbrage Editions. It
will include all the exhibited photographs by
Iturbide and never-before-told personal
reminiscences by Gabriel García Marquez, Nobel Prize
Laureate in Literature who was a friend and
confidant of General Torrijos.
In conjunction with the exhibition, Americas Society
will host public lectures, conversations with the
photographer, and other related cultural and
education programs.
Americas Society
680 Park Avenue
New York, NY
Click here for more info
Unmonumental
December 1, 2007 - April 6, 2008
Unmonumental: The Object In The 21st Century
New Museum New York inaugural exhibition
Mexican participating artists: Abraham Cruzvillegas,
Gabriel Kuri and Jonathan Hernández
Unmonumental is an international group show that
proposes a dynamic, new exhibition model by
beginning with a major sculpture exhibition then
adding layers of collage, sound and new media. The
first segment, Unmonumental: The Object In The 21st
Century, presented on all three floors, explores an
important trend in sculpture by artists from around
the globe who are adopting and reinventing the 20th
century vanguard technique of assemblage as a
touchstone for the state of our world in a new
entury. Redeploying the old strategy of using found,
fragmented, and discarded material, their art
addresses, the fractures and contingencies of our
fragile and volatile contemporary existence in
fresh, poignant and sometimes challenging ways.
Organized by the New Museum's curatorial team of
Richard Flood, Laura Hoptman and Massimiliano Gioni,
Unmonumental: The Object In The 21st Century,
includes 30 artists whose object are seemingly
improvised from common materials, often appearing as
if they had been created in basements and garages
rather than in traditional ateliers. Fabrication,
scale, and permanence have given way to that wich is
intimate, provisional, domestic and otherwise
overlooked confirming in the words of the curators,
"the times demand an anti-masterpiece".
For more information visit
www.newmuseum.org
or
www.kurimanzutto.com
New Museum, 235 Bowery, New York, NY 10002
The participation of the Mexican artists was made
possible with the support of Mexicana Airlines
El
Maestro de Modernismo: Photographs by Manuel Alvarez
Bravo
January 10 - March 1, 2008
THROCKMORTON FINE ART is pleased to announce our
first exhibition for the new year, El Maestro de
Modernismo: Photographs by Manuel Alvarez Bravo.
Considered to be one of Latin America’s greatest and
most influential photographers of the twentieth
century, this exhibition will feature many of the
extraordinary images he captured in a career that
spanned eighty years.
Manuel Alvarez Bravo (1902–2002)
He began his career as a young photographer in the
1920’s in post-revolutionary Mexico. With the
emergence of Mexico City as an international center,
artists and intellectuals, celebrated the avantgarde
and their indigenous past. Through association with
and recognition by such luminaries as Tina Modotti,
Edward Weston, Paul Strand, and Henri
Cartier-Bresson, Manuel was able to work within a
wide range of styles and subject matter including:
formalist abstraction, architecture, interiors,
landscapes, still lifes, and portraits. Bravo,
influenced by the indigenous culture of Mexico, also
remained open to the artistic influences outside his
native country. His ability to mix these elements
into his own invention, created photographs that
transcended culture, time, and place. His work ahead
of his time evokes the myths of twentieth century
Mexico from revolutionary politics to surrealist
depictions of everyday objects. His photographs have
been exhibited all over the world and included in
the collections of major world museums.
THROCKMORTON FINE ART
145 EAST 57TH STREET, 3RD FLOOR
NEW YORK, NY 10022
212.223.1059
www.throckmorton-nyc.com
Congruent Allusions - Work
by Carmen Maria
January 8 - 29, 2008
Opening Reception: Thursday, January 10 from 6-8 PM
The Agora Gallery is proud to present Mexican artist
Carmen Maria in Congruent Allusions. Scheduled to
run from January 8th through January 29th the
collection will feature a captivating selection of
Carmen's Japanese prints.
Carmen's work may be seen on
http://www.agora-gallery.com/ArtistInvite/carmen_maria.aspx
About Carmen
Carmen Maria’s recent work employs a grand range of
visual texture. In some of her paintings, an austere
simplicity reminiscent of Japanese prints fastens
the eye cleanly to one fixed point, while in others
a Klimptean agoraphobia, loaded with textiles and
the tropes of textile design and quilt making,
invite breathless, frenetic viewing.
In these canvasses, one finds a reverence for the
mythological mingling beautifully with an
unmistakable streak of mysticism. With her strong
classical sense, Maria uses unmasked anachronisms-
placing a figure in a modern pair of denim jeans on
a classical Albertian grid, for example-or depicting
modern lovers on the same canvas with a Trojan
soldier-to evoke a sense of unsettledness within the
banal and everyday. At the same time, the contrasts
work to invoke not displacement but synthesis,
suggesting that the classical is connected with the
modern and the basic components of human reality
constant. Carmen Maria lives and exhibits her work
in Mexico City.
Agora Gallery
530 West 25th Street
Chelsea, New York, NY, 10001
agora-gallery.com
Archive Fever: Uses of the
Document in Contemporary Art
January 18 - May 4, 2008
Mexican participating artist: ILAN LIEBERMAN
One of the most compelling issues explored by
artists in recent years centers on the nature and
meaning of the archive, that is, how we create,
store, and circulate pictures and information. this
widespread investigation examines the archive as
both a conceptual and physical space in which
memories are preserved and history decided. The
exhibition presents works by leading contemporary
artists who use photographic images to rethink the
meaning of identity, history, memory, and loss.
The International Center of Photography
1133 Avenue of the Americas at 43rd Street
New York, NY 10036
www.icp.org
State
Symphony Orchestra of Mexico
Sunday, February 17, 2008 at 3 pm
Enrique Batiz, Director and Musical Conductor
Alfonso Moreno, Guitar
Program:
Bernstein, Leonard - 'Candide' Overture
Rodrigo, Joaquin - Concierto de Aranjuez
Chavez, Carlos - Sinfonia India, No. 2
Sibelius, Jean - Symphony No. 2 in D Major, Op 43
Box Office: 718.960.8833
Tickets: $25, $20, $15, $10
Concert Hall
Lehman College
250 Bedford Park Blvd. West
Bronx, NY 10468
www.lehmancenter.org
Concerts at Saint Luke's &
polyhymnia present:
A Fiesta of Mexican Baroque Music
February 26, February 28 & March 1, 2008
Tuesday, February 26, 2008 at 8 PM
Marcia Young, Karol Steadman & Lisa Hindmarsch
The Nun's Recreation
Music from the cloistered communities of Mexico
$25 General Admission, $15 Students & Seniors
Peek behind concent walla and hear the musical
diversions of the Mexican religiosa, where music,
learning and cooking were celebrated as high art
forms. After you hear the music, sample the
inventive cuisine of the Mexican convents at a
festive reception following the concert.
Thursday, February 28, 2008 at 8 PM
The Choir of Saint Luke in the Fields
18th Century Mexican Masters
$30 General Admission, $20 Students & Seniors
The fantastically carved and gilded interiors of the
churches of baroque Mexico resounded with equally
ornate masses, motets and villancicos by composers
like the Native American Manuel de Zumaya (c.
1678-1755) and the Italian Ignacio de Jerusalem (c.
1710-1769). The Choir of St. Luke in the Fields with
an ensemble of period instruments will explore the
little known music of the Mexican "ultra baroque".
Saturday, March 1, 2008 at 8 PM
Polyhymnia
Elected of the Lord
17th Century Mexican Ceremonial Music by Fernandes,
de Lienas & Lopez Capillas
$25 General Admission, $15 Students & Seniors
Polyhymnia's ensemble of voices and instruments will
present music written in African and Amerindian
dialects by Portuguese composer Gaspar fernandes
(1570-1629) to welcome the Phillip III's new viceroy
to Puebla in 1612, elegant polyphony by Native
American composer Juan de Lienas (fl. c. 1617-1654)
and elaborate vesper music by Mexican born
Franscisco Lopez Capillas (1608-1674). Join us for
this fascinating multi-cultural panorama of baroque
Mexico.
For reservations & more information:
The Choir of St. Luke in the Fields
212.414.9419
www.concerts.stlukeinthefields.org
Polyhymnia
917.838.4636
www.polyhymnia-nyc.org
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